Yesterday Jim, my editor, and I enjoyed the immense privilege of running a writers’ workshop at Wakefield One, the City of Wakefield’s wonderful new complex that incorporates the library and other arts and community facilities. Like the event in which I took part at Wakefield One last year, it was part of Wakefield’s LitFest, and impeccably organised by Alison Cassels, who, in my experience, is second to none at enthusing and gathering in intelligent and appreciative audiences for such occasions.
Eventually, there were twenty-two lively and responsive participants of all ages, from twenty upwards. One recent graduate came with his grandfather.
We began by giving the workshop delegates a sheet containing the opening paragraphs of six novels and asked them to take on the editor’s task of choosing (and providing justification for their selection!) just one that they would personally want to publish. The results were Illuminating: although one of the extracts (actually from a novel by Ruth Rendell) emerged as the clear winner, all six had at least one champion. Everyone was thus able to appreciate the dilemma of choice that an editor faces when sent many different manuscripts. Then, in pairs and against the clock, the group accepted the challenge of producing an opening paragraph that might persuade an editor not to reject it. The results were exceptional: all were coherent, interesting and, most impressively, cliché-free; the activity itself generated wonderful engagement, as you can see in the photographs here.
I then went on to explore some of the practicalities of getting published and what new (and, indeed, established) authors need to do in order to engage and keep their readers. This audience was thoughtful as well as appreciative and turned it into a dynamic, interactive session. Finally, I read the opening chapter of Sausage Hall, the third in the DI Yates series, which will be published on 17th November; it was well-received (I’d been holding my breath, as I’m sure all authors do when they give their new ‘baby’ its first airings). The workshop members were generous: many bought copies of In the Family and Almost Love in the signing session at the end; some were kind enough to buy both.
The informal debate continued after the workshop was officially over. Several participants said that they’d been delighted to receive Salt Publishing’s online alerts. If any of the readers of this blog would also like to obtain these, just let me know and I’ll pass on the information.
Very many thanks indeed to Alison Cassels and the rest of the staff at Wakefield One (not forgetting those who work in the Create coffee shop, which produces a mean cappuccino!) and heartfelt gratitude to all those who joined the workshop – I hope that you will become occasional or even regular visitors to this blog.