Stopping for breath, part way through a fun-packed tour!
My blog tour is more than half way through now. I’d like to thank all the bloggers and everyone who has read their posts and sent comments. Both the reviews and the comments have been delightful – I am hugely appreciative and grateful. Thank you!
I’m now looking forward to the last three posts. The tour finishes on 30th November – a fitting date, as winter starts ‘officially’ the next day. I’m sure the generous and perspicacious posts will encourage more readers to snuggle down with DI Yates in the cold, dark evenings!
Special thanks to Anne Cater, who pulled the whole thing together. I have loved working with her – she is down-to-earth, determined and efficient and she has a fine sense of humour. If you are looking for someone to organise a blog tour, I wholeheartedly recommend her.
A Q & A with Nick Clee, the founder and editor of Bookbrunch
More than most industries, publishing and bookselling depend on the oxygen of publicity for survival. They rely on the support of friendly journalists who present them faithfully and without exaggeration or malice. The industry is lucky to be represented by Nick Clee, a distinguished news publisher who understands it inside out. Here, he kindly responds to my questions.
Q: Before you founded BookBrunch, you were the editor of The Bookseller, so you moved from a very established old-school type of publishing to something much more dynamic – and perhaps, nowadays, more resilient. Did you set out to do this? What was your rationale when you first set up BookBrunch? Has it evolved in the way you thought it would?
A: I left The Bookseller in 2004, and went freelance – in those days, still just about a feasible pursuit. In addition to journalism, I wrote a couple of books. I had delivered the second of them when Liz Thomson, editor of the recently defunct Publishing News, phoned me to ask whether I’d join her in a new, online venture, which had private backing. It wasn’t exactly what I had planned, but I had a space in my schedule and hated to turn down jobs. We had no coherent mission statement for BookBrunch: we simply intended to provide a news service, selling it on our long experience of the trade.
Q: Did you get a lot of support from the industry in the early days?
A: In the internet era, you can get known fast, particularly in a trade such as the book industry. People signed up enthusiastically.
Q: Are you a journalist by profession? Has your whole career been spent in journalism? Is there a reason why you have focused your efforts on publishing industry news for so many years?
A: I fell into it. I got a job as maternity cover at The Bookseller; twenty years later, I was still there. I’ve been very lucky.
Q: How do you gather information for BookBrunch? Do prospects mainly come to you with items they want you to publish or is it the other way round? Do you have ‘roving reporters’ to cover events etc?
A: I have to admit that most of our stories arrive on a plate, by email. (By the way, I’m now joint editor with Neill Denny, another ex-Bookseller editor. I work two days a week and he covers the other three; Lucy Nathan is reporter; and Julie Vuong contributes twice-monthly interviews or features.) We try, on our limited resources, to get out to conferences, launches and so on. Occasionally, we commission features – but the budget is limited.
Q: What is the business model? How do you get paid?
A: We carry some paid advertising, but get almost all our income from subscriptions. Our salaries are very modest.
Q: What kinds of support are you able to provide for authors?
A: We have discounts for freelancers and for Society of Authors members. Not all authors are interested in trade news, but some are.
Q: How did you survive during the pandemic? Were you forced to change the way you operate? If so, are you more or less back to normal now?
A: The pandemic was/is an awful thing, but looked at only in commercial terms it turned out to be not unfavourable for our business. Subscriptions went up. It hit networking on the head and is still doing so, in my case – I remain cautious.
Q: Gazing into your crystal ball, what do you think the publishing industry will look like in five years’ time?
A: I’m not qualified to talk about the academic publishing world. In general books, we appear to have reached a relatively stable balance of digital and print formats. If further disruption is imminent, neither I nor anyone else can foresee what will cause it. The pandemic confirmed to us – because it hastened them – things that were already apparent; among them were the decline of the High Street, an alarming trend for publishers as well as retailers.
Q: Do you enjoy reading? If so, what kinds of books do you like? Do you have a favourite author? Do you have other hobbies?
A: I read a lot of crime fiction, ranging from American noir to police procedurals to psychological thrillers. A favourite recent example is Simon Mason’s A Killing in November. In literary fiction, I go for writers who are interested in the domestic: Katherine Heiny has been a delightful discovery this year. My favourite author is John Updike.
I play tennis, and follow sport. I’ve been lucky enough to make horseracing my work as well as a hobby: my second book was a racing history and I’m writing another racing book at the moment.
Making crime fiction happen: the Marketing Manager’s story
Hannah Deuce is the Marketing and PR Manager for Bloodhound Books. In this post she tells her story.
“I love the variety involved in my work. My role embraces marketing as well as PR and publicity, which means no two days are the same! My key responsibilities include the creation and execution of marketing campaigns for all the books published by Bloodhound. This means designing the graphics for publicity, gathering reviewer quotes for marketing materials, generating digital advertising campaigns and reporting on the data gathered so that we can do the very best for our authors.
“I am one of the main points of contact for Bloodhound authors. I work with press outlets as the opportunities arise and oversee brand management for Bloodhound. The marketing side of my work is highly strategic, whilst the PR and publicity require creativity and the ability to act quickly.
“After gaining a Masters degree in History from Goldsmiths, University of London, I worked for PR companies and at magazines. These jobs gave me invaluable experience of the broader PR and marketing landscape. Next I studied for a Masters degree in Publishing at City, University of London, to hone my understanding of the industry and help me break into what I knew was a highly competitive job market. It was then I fell in love with the complexity and creativity of marketing and PR. I was lucky enough to be appointed Marketing Executive at Hachette UK, based in London. I learned so much there and became even more passionate about my work, but at the same time grew weary with big city life. A few years working in central London is enough for anyone! So I applied for posts with independent publishing houses that weren’t based in London, which led me to Bloodhound’s door!
“While I was studying for my Masters degree, I supported myself financially by running my own business. I offered my services as a digital marketing manager for companies working in the creative space (e.g., photographers and makeup brands). During this time I developed my own distinctive take on digital promotion, utilising cross-channel attribution (this means cross-referencing social media channels to complement each another) to create effective promotional opportunities. I brought this experience to Hachette and developed it further, so that when I moved to Bloodhound I was able to merge my own methods with the Bloodhound team’s existing frameworks and knowledge to create the publicity techniques we use today.
“Bloodhound is perceived to be a specialist in the crime and thriller genres. However, we also publish historical fiction, women’s fiction and, occasionally, so-called ‘chick lit’. I love the variety of what we publish and feel that it provides me and consequently Bloodhound authors with an advantage, as I am able to recognise trends developing across different genres in both the UK and USA. I can then adapt my work and techniques accordingly.
“Though all Bloodhound crime authors may be working in same genre, I believe that every book we publish should be treated individually. We design separate marketing and publicity campaigns for them, adapting reader targets, visuals and the language we use to maximise the opportunities offered by the storyline and author’s style for each one. We therefore create a bespoke package for every book to help it to achieve its full potential.
“My advice to new authors would be, first of all, to build a social media presence. Even if technology isn’t your best friend, social media is here to stay. Platforms may evolve and change, but the best thing you can do is establish an author profile online by setting up a blog or website, and then create pages on the key social media platforms (Facebook, Twitter and maybe Instagram). When you have done this, continue to update them regularly with news about your books, any events you’re attending, what you’re working on, etc. Don’t be afraid to have fun while you’re doing it: social media is designed to have a casual feel, so post what you think you yourself would like to see or read, update your accounts regularly and let your readers engage with you directly.
“I am an insatiable reader myself, and enjoy books from multiple genres, written by authors from all walks of life. I love a book with a twist that I can’t guess, or an ending I didn’t see coming! I don’t really have any favourite authors within the crime genre as I read so widely, but if pressed I would say my all-time favourite author is Kate Mosse. I would read her grocery lists!
“I live in a village on the outskirts of Cambridge with my partner Jon. My favourite way to pass time when I’m not working or reading is to train with my horse, Vince, a Danish Warmblood Dressage horse who has been with me since he was a youngster. He and I now compete nationwide, riding at national level, and we enjoy nothing more than just relaxing in the yard together.
“To anyone who is looking for a job like mine, I would say don’t give up! But be aware that it is possible to over-romanticise working in the publishing industry. People thinking working among stacks of books every day must be heavenly (it is, but it has its white-water rafting days, too!). Roll up your sleeves and keep applying for jobs, as no one simply walks into this industry. I sent off more than 100 job applications before I got my first job in publishing, so keep trying, even if you don’t get an acknowledgement after you’ve put your all into applying. Keep your CV up to date and do things which make you stand out – for example, run a book blog or book Instagram account; take a short course in creative writing to help understand authors better, or a Masters if you have the resources to do it. Network at every opportunity and build your LinkedIn contacts, keep up-to-date with books in the charts and make sure you understand the unique characteristics displayed by different publishing houses. Finally – and I would say this, wouldn’t I?! – consider working at an indie publishing house rather than one of the ‘big five’: we’re a lot more fun and you will learn so much!
Are you going to sleep?
I’m sure that you will, at one time or another, have come across and been amused by Hannah Hillam’s ‘Are you going to sleep?’ cartoon meme, with the brain acquiring its own separate existence, floating above the bed and saying or asking something that wakes the girl up to eye-saucer-wide alertness. Such astute insights remind me that many of us experience sleeplessness and devise ways of overcoming it.
Often, when I can’t sleep, I play word games by making up a set of rules and then searching in my mind for words which adhere to them. Sometimes my hit rate is spectacular; on other occasions, I simply fall asleep – which is the object of the exercise, unless the game grows so interesting that I willingly become wider and wider awake. (Occasionally, I draft in my husband, who is usually initially annoyed at being disturbed, but then enters into the spirit of the current game with gusto, adding – to my annoyance, his own rules. 😉)
The following day, I usually remember the rules of the game, but the words themselves have floated away into the ether. Today, I have made a special effort to remember the words from a game I’ve been playing over the past several nights, substituting new ones when the originals, despite much brain-racking, have been lost.
I’ve turned my set of words into a very short story, just for fun. I thought my readers might like to share with me a spot of hilarity as we approach the happy season of what has been the most sombre year, I guess, that any of us can remember.
Can you spot the word rule that I used? And what leeway I gave myself?
Revolutionary and somewhat farinaceous Lady Louise, succumbing to a year-long compulsion of god-daughterliness, met the ambidextrous quantity surveyor bivouacked beside a zinziberaceous crematorium for equatorial hippopotamuses. He was voyeuristically observing the trouble-making kindergarten nurse, full of maliciousness, separating out xiphopaguses by the washing-house as she, importunate, planned a pre-accusation, much to his unexpectation – and later nauseation, although supported by documentation – that he had stolen her oleaginous juice-extractor.
Peace in Europe Day
This has been a strange weekend for everyone, despite – or even because of – the blue skies and sunshine, now replaced by a cold, grey front from the North Pole. On Friday, it was seventy-five years since ‘VE [Victory in Europe] Day’. In the UK, all kinds of celebrations had been planned for this, most of which haven’t happened because of the Covid-19 lockdown. There is some hope that they can be held on 15th August, on ‘VJ [Victory in Japan] Day’ instead. I wonder. When the lockdown started, no-one imagined it would still be in place towards the end of the summer, but it may well be.
My daughter-in-law, who is German, told us about a conversation she had with our five-year-old granddaughter about this European anniversary, providing her with the relevant history that she really did want to know about, for, though the family lives in Cambridgeshire, she has relatives in the Münsterland and elsewhere whom she visits regularly; she also speaks German very well indeed. She knows that her great-grandparents chucked bombs at each other. Her mum’s words speak for themselves:
“VE Day. I’ve been thinking about the right words all day. It is one of the very few days when I find British life… awkward.
For me, the 8th of May has always been a day of commemoration and, primarily, of remembering the liberation from fascism and the Holocaust. I have absolutely no problem with celebrating this and the end of the war, but I suppose what makes me feel uncomfortable is the choice of the name for this day. Victory in Europe.”
Between them, she and her daughter decided to rename the day ‘Peace in Europe Day’ and – in and with, socially distanced 😉, their local community – to celebrate peace, not victory, as something perhaps more relevant now than it has ever been since 1945.
Here, at home in the Pennines, we have reflected a lot on how far we have come as a nation since the Second World War and I don’t mind saying that we are both committed Europhiles, who are happily English but also proud of being European. We love the country we were born in and all that makes it unique, but we love Europe too; we identify, quite rightly, with our nation, but not to the detriment of other nations; we are not jingoistic and we are weary indeed of the ultra-nationalistic nonsense we’ve heard all our lives and, especially, over the past three years or so. When our son and daughter-in-law were married in 2011, we hung German and British flags in our hall, where they have remained ever since, accompanied now by a banner of the twelve Chinese horoscope characters in silk and an Indian textile designed to celebrate Diwali, both acquired on my forays abroad. They hang there together in solidarity, companions in peace and shared interests from four very different countries, a testament to new global friendships with likeminded people. Our granddaughter takes it for granted that they are a permanent part of our household.
In the village where I live, several families hung out Union Jacks. Flags are evocative props – they stand at once for national pride, military prowess and a strong sense of identity. When my husband was a child and his family were living in the south of England they made a pilgrimage back to the north once a year to visit his grandmother, who always hung out Union Jacks on the hedge to welcome them after their long journey.
In retrospect, these same flags were probably the ones she purchased to celebrate the original VE Day. When I was a child growing up in Lincolnshire, we all waved flags on Flower Parade Day (though I never understood why) and, when we visited the seaside, our parents would buy us little packets of paper flags to stick in sandcastles. There was always a Union Jack among these, though my brother and I both liked the red and green Welsh dragon best. Children enjoy the simple realities, rather than the symbolism, which they only later come to understand. We are delighted that our granddaughter has shrugged off naïveté about this very early.
The celebrations were meant to mark the return to peace rather than victory and those creative people who managed to put their mark on yesterday expressed this. My favourites were the staff of my local convenience shop, who dressed as – very glamorous – land girls to cheer and amuse their customers.
They all work very hard to support everyone in their neighbourhood, with no discrimination, even though they have their fair share of – how best to put it? – awkward individuals! I’m led to consider that EVERY nation has its own fair share of, frankly, unpleasant people.
Because of my day job, I’m in daily touch with people across the world, all coping with lockdown. Some have very challenging situations to cope with: they live in densely populated conurbations, are looking after newborn babies or have underlying health issues that have confined them to their homes for months. As the effects of the lockdown here make life seem ever more like living in a science fiction novel, I’m conscious of how fortunate I am that my home is in a beautiful place, from which I can walk out for my daily exercise in woods bursting with bluebells and with the air a tumult of birdsong.
The spring has seemed particularly lovely this year, perhaps because the enforced stay at home has helped us to notice it more. Listing the positives associated with the lockdown, both the warmth of the season and having access to technology that allows me to keep in touch with far-flung friends and family are jointly top. I’ve learnt some new skills, too: several culinary ones, including a Nigella chocolate cake that guarantees domestic bliss (at least in this household!); I’ve helped my husband make John Innes-style compost for the tomato plants because the garden centres were closed; and I’ve plucked up the courage to tackle my grey roots and for the first time to experiment myself with hair dye (I’m pleased to report I’ve emerged neither orange nor bald!). I’m working on a new venture with an old friend. I’ve had more time to get in touch with other authors to discuss writing; I’ve managed to read even more books than usual. The British Library, which I joined last year, has sent me links to virtual tours of its collections which have enthralled and delighted me.
Of course, there are negatives. Social networking can’t replace face-to-face contact in the long term; the future of my day job is uncertain; and a significant reaction to bee stings has been harder to deal with than if the chemist and the doctor’s surgery had been working as normal. But these things are trivial compared to the most profound truth: that in villages such as mine we know we are cocooned from reality: it’s hard for us to imagine the distress and suffering that is being experienced by patients and NHS workers across the country, or by those in care homes, those who are grappling with Covid-19 at home or those who are afraid because they need ‘shielding’.
Flags and silk figures can’t help here: they symbolise important values, but they are inert. What can and does help tremendously are the small acts of joy that people like Paula, who works in the convenience store and took the trouble both to research and glam herself up in style, bring to the people they meet, by spending time and thought on how to celebrate sensitively.
Christina’s summer, aside from work!
Despite all my good intentions (and I’m very grateful to Lisette Brodey, Laura Zera, Val Poore, Sylvia Peadon and Tamara Ferguson for the supportive empathy they have shown me over my failure to keep up to date with social media generally!), the summer mostly slipped away without my posting on this blog. However, I met some great people at literary events over June, July, August and September and want to share those occasions with you before they become distant memories.
On 16th and 17th June, I attended the Winchester Literary Festival for the fourth time, partly to conduct one-to-ones with twelve new authors, partly to give an updated version of the talk I first delivered last year (‘Whodunnit: how it’s done’), which, as last time, attracted a large and enthusiastic audience. Winchester has now become one of the most important dates on my calendar: it’s a brilliant festival, thoughtfully and imaginatively created by Judith Heneghan, who lectures in creative writing at the university, and efficiently organised by Sara Gangai. The guest talk that takes place first thing on the Saturday morning is always a treat. This year’s speaker was Lemn Sissay, the performance poet.
Lemn’s talk was full of wit and unusual insights: for example, he said that every single day we are part of a privileged generation because we have the Internet. “We are at the most exciting time for words that there has ever been. So how can it be that the point of view that the Internet promotes rubbish is always held above that that says the Internet promotes beauty and genius?” And: “Every day I wake up and think of ways that I can promote writing other than the book. But the book is the greatest gift you can give any child or adult.” My own books were kindly stocked and sold, as always, by staff from P. & G. Wells at the festival book stall; they also gave me a signing session, when I met several new and a few old friends.
July 6th was the next big date for me, as the legendary bookseller Richard Reynolds had invited me and eleven other authors to participate in his summer evening of crime at Heffers bookshop in Cambridge.
I was particularly pleased to meet Barbara Nadel, whose books I have read with real enjoyment. We were each asked to describe ourselves and read, in not more than two minutes, a short extract from our latest novels (Richard’s assistant had a bell and said that she was “not afraid of using it”!). This actually worked very well: it’s surprising how much you can get across in two minutes if you think about it beforehand and try hard.
Afterwards, there was a drinks reception at which all of our books were on sale. The audience numbered more than one hundred (Cambridge is a real Mecca for crime enthusiasts!) and we all sold lots of copies.
Wednesday 12th July followed hard on the heels of the Heffers event. I had the good fortune to be invited to a Houses of Parliament reception (held by the Booksellers Association, Publishers Association and the charity, World Book Day) for authors and booksellers, with MPs and peers.
There I met several booksellers who have supported me by stocking my books, including Sam Buckley, from Bookmark in Spalding, who over the years has generously given me a launch event for each of them. The event was hosted by Dame Margaret Hodge, who emphasised the civilising influence of both books and booksellers on our society (a sentiment about which I need no persuading!).
Last but not least, on 15th July I was invited to give ‘A Morning with Christina James’ at Spalding town library. This was a round-table event, at which I read a couple of excerpts from In the Family and Rooted in Dishonour and then talked to the audience about how I came to write the novels, my own Lincolnshire roots and, most important of all, their views on fiction. I was delighted to be able at last to meet Sharman Morriss, the librarian, having been told at one of the Bookmark evenings that she tirelessly promotes my novels to her customers. Sharman then put me in touch with Alison Wade, her colleague at Boston town library,
which has been holding a month-long crime-writing festival during September. Alison very kindly asked me to open this on the afternoon of September 1st, when I talked to the audience about my own books and what they like to read. I was really pleased to have been able to meet readers and new writers on this occasion.
Fair of Face, the sixth novel in the DI Yates series, will be published on 15th October.
I’ve diligently been updating my Twitter header and posting the new novel’s cover here and on Facebook! Bookmark in Spalding is providing a signing session on the afternoon of 16th October and an evening launch event on 19th October and I know both will be memorable moments for meeting friends old and new. If you would like me to come and talk at your local bookshop or library, or to your reading group, just let me know.
Oh, and hello again to all my readers here!
[An apology to Spalding Library – I’ve temporarily mislaid my SanDisk – a picture will follow!]
What I’d like, knitted up and sorted, once and for all…
I made the cardigan in the photograph for a small friend of mine and I have to admit I am quite proud of it. The small friend is a she who likes owls (the multi-shaded wool is called ‘Owl’ by its suppliers) and I found the owl buttons online. I was even more delighted when they arrived and I discovered that they’d come from an online retailer based at Gedney, a small village close to my native Spalding.
This particular little girl owns very few clothes in pink. Her mother, whilst objective enough to include some pink in her daughter’s wardrobe, is determined not to turn her into a ‘princess’ and, in any case, I had other ideas for this project (pink not having been a very popular colour for girls during my own childhood, I should never have considered this colour as a must for any daughter of mine, had I had one); I like owls myself and have noticed that they tend not to shine brightly pink as they silently flit between the trees at dusk. And, if you follow me on Twitter, you’ll know that my chosen header picture there hasn’t a trace of pink in it. When looking for other garments with which to indulge the small friend, my worst expectations were quickly confirmed by what I found, that many are not only pink, but pink in a very sexist way. I’ve discovered (but not been tempted to buy) pink tops printed with patterns of cupcakes and hearts, pale pink coats adorned with dark pink bows and little pink socks with lacy ruffled tops. Most retailers of children’s clothing stock their racks with boy-girl equivalents and I’ve found that the boy equivalents are almost always much more interesting and, generally, much less narrowly stereotyped by colour. For example, at Monsoon, I found some beautiful long-sleeved T-shirts in green and gold, decorated respectively with wild animals on a prairie and a train packed with animal passengers. Some of the motifs were appliquéd or embroidered, making the fabric fascinating for a small girl already interested in all things tactile. I bought them for her: there was nothing overtly masculine about them and they were much more fun than the horizon-narrowing pink-iced buns on a darker pink ground topped with scarlet glacé cherries. Her mum has also bought beautiful boys’ clothes for her which look as good on her as on any boy. Based on my limited recent experience as a shopper for infants, I’m astonished that the racks of sickly pink fairy-frocks sell: I had fondly assumed that at least some of the clear message thinking women (and men!) have been sending for so many years now to the producers and buyers of children’s goods would have got through; I’d have expected to see the ‘pretty-in-pink’ clothes bunched in limp, unconsidered crowds during the sales. But in all the shops where I browsed, the pink princess outfits seemed to be disappearing like hot cakes – or cupcakes!
What I especially don’t understand is the logic behind dressing little girls in clothes like these. In the past, girls wore skirts and boys wore trousers or shorts (I belong to the first generation of girls to have made a big push first to be allowed to wear trousers and later to have them accepted as smart workwear), but there were few other concessions to gender except whether buttons were placed on the left or the right of the garment (a confusing convention that thankfully seems largely to have died out). Girls and boys wore the same styles and colours in coats, jumpers, cardigans, shirts, vests and socks. Only swimwear and footwear were different, and then not always: small girls often wore the same (hideously uncomfortable when wet) knitted swimming trunks as boys and stout lace-up shoes in the winter or bar-sandals in the summer were fairly universal. Granted, colours were often drab (browns, greens and greys didn’t show the dirt, swatches of cloth and hanks of wool were often left over from the making of adult garments) and choosing ‘unisex’ clothes may partly have been inspired by the domestic economics of hand-me-downs. I acknowledge there was also quite a lot to put up with before the advent of man-made materials and truly waterproof clothes. Most children had only one school coat and often had to wear it damp on the day following a downpour. All but the wealthiest grew heartily sick of their clothes before they grew out of them: two school skirts, two jumpers and two or three shirts, plus a dress ‘for best’, was the norm and, although I didn’t think of it then, this must have meant mothers, and sometimes fathers (not all fathers ensconced themselves behind their newspapers when they returned home) were engaged in a constant round of washing and ironing. I’m not trying to hark back to some kind of golden age.
But still, as far as our clothing went, girls and boys were pretty much equal. I certainly never wore anything that suggested that my future would be focused on baking cup-cakes and wearing lipstick (though I happen to enjoy both), nor did my brother’s clothes indicate that he was destined to be a footballer, astronaut or mechanic. I make these points tongue-in-cheek, but underlying them is a very serious principle indeed: that of achieving true equality between the sexes and removing the glass ceiling once and for all. How are the women and men of the future going to be inspired to exercise a completely free choice, electing to become engineers or hairdressers, electricians or fashion designers, bus drivers or nurses – or indeed, bakers or make-up artists – because they’ve thought about it and this is what they want to be, if at the age of a few months they have already been placed in a gender pigeon-hole created by parents in cahoots with clothing manufacturers?
I began by saying that I’m proud of the owl cardigan. It’s been a long time since I knitted a garment and, though the pattern was simple, I enjoyed making it and felt a sense of achievement when it was finished – especially as its owner seems to like it. It’s a unisex cardigan, suitable equally for a girl or a boy, and could equally have been made by a man or a woman. One of the people who taught me to knit was my stepfather, a burly fifteen-stone builder with hands as big as soup tureens. Boys – and girls – and parents – take note.
No place like home?
My son called me yesterday evening to gloat because of the outcome for him of a BBC quiz he’d just completed, entitled ‘Where would you be happiest in Britain?’ (The quiz can be found here, if you’re interested. I assume, for readers of this blog who live outside Britain, that it will guide your choice should you wish to emigrate from your country. 😉 I should add that, since the way into it is by selection of a miserable three photographic choices, I rather suspect that it has an equal paucity of possible places to put participants!) It told him that the place in which he’d be happiest is Lewes, in East Sussex (also its choice for my husband – QED my point about the limitations of the quiz), but his reason for calling was to let me know it also forecast the place in which he’d be most miserable. The prediction for him was ….Spalding! Where, apparently, the inhabitants are bereft of several character traits that those of other places have in spades, including friendliness. My son was delighted because he’s always affirmed that I, a native of Spalding, was born among bog-dwellers with webbed feet (and, in point of fact, my paternal aunt did have webbed feet!), whereas he is one of God’s Yorkshiremen.
Not willing to take this lying down, I decided to complete the quiz myself. It told me quite firmly that the place I’d be happiest living in would be Oxford (where there is, allegedly, a very high ratio of ‘cultured, conscientious and’ … ahem… ‘neurotic ’ people, just like me, apparently). And the place in which I’d be least happy? You may have guessed it already: Spalding!
Now, apart from pointing out the obvious – that the BBC must have a real down on my home town; so much so, that I wonder if the quiz might have been compiled by Jeremy Clarkson after he found out that all the restaurants serving food (hot or cold!) there are closed by 10 p.m. – I’d like to take issue with this.
First of all, I know Oxford well and have never considered it to be my idea of residential heaven. It’s pleasant enough and I’ve been to some good concerts there and eaten some excellent food in its (largely overpriced) restaurants. I have a significant number of friends and acquaintances who live or work there, most of whom are cultured and conscientious and some of whom are undoubtedly neurotic.
But, over the years, I’ve also had some pretty duff experiences in Oxford. Here are a couple of examples:
When I was working for a Scottish library supplier, I was once booked into a hotel (called Green Gables, but there, its resemblance to the home of L.M.Montgomery’s heroine ended), a turn-of-the-twentieth-century building that sat right in the middle of a run-down housing estate containing a maze of roads through which feral dogs and glue sniffers roamed at large. The hotel didn’t serve food and I didn’t dare to go out after dark in search of any, so I dined on a cereal bar that I had in my brief case and a glass of tap water. My room looked as if it hadn’t been decorated since 1930 (the décor was bottle green and cream) and the ‘en suite shower’ (cunningly concealed behind a clear plastic curtain) was fitted with a rubber mat which, when lifted, revealed a thriving family of wood lice. Not very Oxford as Oxford conceives of itself!
My second example, however, is quintessentially Oxonian. I was visiting a publisher who persuaded me to attend an evening soirée featuring a ‘traditional African music ensemble’. Intrigued, I changed my train ticket and turned up at the event, hoping to feast on some of the exotic music and dancing I’d seen executed by a visiting troupe from Zimbabwe when I worked in Huddersfield (another awful town, according to the BBC). Imagine my chagrin when the ensemble turned out to consist of a quartet of upper middle class white Oxford ladies of a certain age playing its own arrangement of ‘native’ music on some very European instruments! I couldn’t capture my idea of Oxford better than by telling this tale, which does indeed demonstrate that Oxford is conscientious (if self-consciously so), cultured (in its own inimitable way) and neurotic (possibly).
When I think of places which have made me miserable, therefore, I’d have to include Oxford in the list. There are more deserving candidates, however. Among these, I’d cite Rotherham, a town that seems to have had nothing going for it since its magical (definitely, then, before the Industrial Revolution snapped it into its jaws!) ‘merry England’ manifestation, described by Sir Walter Scott in Ivanhoe; Solihull, for several years home of the HQ of Dillons and Waterstones, a place which never seemed to have anything to recommend it except a larger-than-average number of dress shops catering for ‘the fuller figure’; its much bigger and uglier sister, Birmingham (though I admit the canal system there is superb and worth a visit); Bridgnorth, a place so benighted that even the local copper didn’t know where the library was; and, last but not least in the misery-making-for-me stakes, Middlesbrough, which I’ve visited twice and where I had my car broken into on both occasions.
And places where I’ve been happiest? Sometimes in London, spending delightful evenings with friends, though I’d hate to live there; often in Surbiton or Mawdesley, basking in special friends’ wonderful hospitality; at my God’s-own-Yorkshireman son’s various homes over time, both entertained and amused by him and his wife; and – yes – in Spalding; certainly, in Spalding, that sink of human baseness by BBC reckoning. I spent the first seventeen years of my life there, so I’d have experienced a childhood of Dickensian deprivation if I hadn’t been very happy some of that time, and an unusual teenager if I hadn’t also sometimes felt melodramatically sad. Finally, I do actually like the place I live in now – otherwise, why would I have chosen it? – even though the BBC thinks it is only 54% suitable for a person with my character traits.
Which brings me to my final point. Supposing that I do exhibit more than average conscientiousness, cultural awareness and neuroticism, why should I want to ghettoise myself with a massive bunch of people just like me? My immediate neighbours are as unlike me as possible. They include a racehorse trainer, a physiotherapist, a lawyer, a doctor and several businessmen, as well as a number of retired people. Their passions include horseracing, greyhound racing, playing the harp, planting rare snowdrops and keeping bees, in none of which I have more than a passing interest. Some are bluff, hearty, hail-fellow-well-met and extrovert; others are quieter, more reserved, but fascinating once engaged in conversation. Some take three holidays a year; one lives in the South of France for six months out of the twelve; others never have a holiday and hardly leave the village at all. We all appreciate the surrounding countryside. We all like being within a short drive of several major cities and towns. Other than these common points of consensus, mutual variety is the spice of our lives in so far as we share them.
So there you are, BBC. Mood and character createth the individual woman… or man; but not the place. In my book, anyway.
A salute to Ethel Lang – and to Barnsley
Ethel Lang, the lady who held the record as Britain’s oldest woman, died last Wednesday aged 114. I salute her.
I’m hugely pleased and not a little tickled that Mrs Lang’s home town was Barnsley, which I’ve known very well for at least forty years (my husband’s grandmother, aunt and uncle lived in Pogmoor; his uncle worked for the Coal Board). In fact, she spent her whole life there: Barnsley, the heart of the South Yorkshire mining industry and base of Arthur Scargill, former miner and for twenty years president of the National Union of Mineworkers (the final home of the NUM stands stolidly at the corner of Victoria Road and Huddersfield Road, a rather grim, castle-like building, with a poignant sculpture of a mining family as a memorial in front of it); Barnsley, home of the Barnsley chop (effectively a double lamb chop, of almost joint-sized proportions, served to an individual), one of which once famously over-faced Princess Diana; Barnsley, a town dominated by its massive town hall (George Orwell thought the money spent on it would have been better used to improve the terrible living conditions of the miners) and wonderfully served by a fine covered market with two identical car parks (I’m not alone in having had to seek assistance, having ‘mislaid’ my car: the non-pc male attendant told me with some glee that ‘lasses are always doing it!’); Barnsley, whose living and much-loved bard, Ian McMillan, sings its spirit in verse and paints its picture in tweets; Barnsley, whose huge and thriving college has sent out many of the district’s sons and daughters, including the Arctic Monkeys, to succeed in the world; Barnsley, whose metropolitan borough council struggles heroically to maintain its vast rural hinterland as well as the town itself without raising the council tax: a bastion of The People’s Republic of South Yorkshire, as my husband observes with great affection.
So it was the bracing atmosphere and modest amenities of Barnsley that supported Mrs. Lang well into her twelfth decade, not the leafy lanes and rarefied air of a bijou village in the home counties or the endless facilities available in one of our great metropolises. How remarkable is that! And she wasn’t a member of the upper classes or even one of the ‘middle sort’: she left school at fourteen to become a seamstress in a shirt factory and married a plumber. From a solid working-class background, therefore: clearly not in want, but not a life packed with luxury, either.
Not surprisingly, there has been quite a lot of news coverage following Mrs Lang’s death. Most of the articles and TV stories have looked back at the main national and international events of her very long life and, of course, the list is rich and varied: she was born when Queen Victoria still had a year left to reign and lived through two world wars, all the moon landings that have taken place so far and, according to The Times, the births of ten billion people during her lifetime.
I’m sure Mrs. Lang will have been interested in these things, but what are likely to have affected her more nearly are the changes that have happened in Barnsley itself during the same period. She will have remembered vividly the General Strike that took place in 1926, the year before her daughter was born, which was called by the Trades Union Congress in support of 800,000 locked-out coal miners, including the ones working the Barnsley coalfield; she’s likely to have remembered the young evacuees sent to Barnsley during the Second World War and may even have helped to look after some of them; she’s bound to have remembered also the miners’ strikes of 1974, the first since 1926, which led to the temporary introduction of a three-day week, and the strikes of 1984, which were triggered by the announcement that some twenty pits, including Cortonwood Colliery, close by, near Rotherham, were to be closed; she’ll have seen the town grow shabby and poor as the prosperity brought by mining declined, gradually at first, but inexorably, and later much more swiftly, throughout the twentieth century. And I hope that she was also well enough – and mobile enough, after her eyesight began to fail – to see this proud town reinvent itself for the twenty-first century.
Mrs Lang’s daughter said that ‘she tried very, very hard with everything that she did’ and that she enjoyed dancing, knitting, baking her own bread and having her nails painted bright colours. Endeavour and enjoyment seem to have been the secrets of her longevity. She obviously had a strong work ethic. I think it’s likely that she wasn’t a driver, but, if she had been, she’d probably have scorned to be one of the ‘lasses’ who couldn’t find her car (though, if she had found herself in my mislaid-car predicament, it would be nice to think that, like other strong Yorkshire women I have known, she would have given as good as she got if a car park attendant had tried to patronise her).
I propose a toast to Mrs Lang. May her spirit live on in her home town. And may many other daughters and sons of Barnsley chalk up a century or more, sustained by a town that continues to try very, very hard.
Adams and Harlow: Kind sponsors of ‘Sausage Hall’
As you will know from my previous post, the launch of ‘Sausage Hall’ is being sponsored by a Spalding company I grew up with. In fact, I went to Spalding High School with one of the daughters of the family! I certainly remember that their products graced the tables not only of my own household, but those of all of my friends and relatives as well. The Lincolnshire family firm of butchers, George Adams, based in Spalding, has been associated with great sausages, meat and fantastic handmade pork pies for nearly a hundred years. But now, Mary and Lizzi, the great-grand-daughters of the founder of the first shop, are launching a new brand: Adams & Harlow, which will undoubtedly be noted for the same extraordinary pork pies and sausages.
Mary and Lizzi’s pork pie heritage consists not just of George, but of their other great-grandfather too – Dick Harlow, whose family set up a butcher’s shop in Boston, Lincolnshire in 1895! So, whilst Adams & Harlow is a new venture, its two founders have extraordinary expertise and an amazing heritage with great provenance and tradition.
As was the way a hundred years ago, each Adams & Harlow pork pie is individual and made with only the finest ingredients, including 100% British meat. As each hand-raised pie takes two days to make, with sixteen different stages to complete before it even enters the oven, every one is the product of extraordinary skill passed down through the generations! Adams & Harlow pork pies taste every bit as delicious as those made by George and Dick all those years ago.
Based in the original George Adams butcher’s shop in Spalding, Adams and Harlow still make the ever-popular Lincolnshire Sausage recipe, using top-quality British pork and secret seasoning blend.
Adams and Harlow products are available at a number of regional and nationwide independent shops, details of which appear on their website; they can be ordered online from British Fine Foods and Ocado as well as bought directly from the original George Adams butcher’s shop in Spalding.
I’m delighted and honoured to have been sponsored by Mary and Lizzi, who will be providing their wonderful fare at Monday’s November 17th ‘Sausage Hall’ launch at Bookmark, Spalding, and at the London launch at Waterstones, Covent Garden, on Thursday November 20th. A fitting accompaniment to a story based in a Lincolnshire house built by a butcher!