De Vries, the ninth DI Yates novel, will be published soon. As I mentioned in a previous post, it is the sequel to Sausage Hall, although each can be read independently of the other.
De Vries sets out to explore several themes: Why do some people become obsessed with discovering the truth about who their parents are, even at the risk of putting themselves in danger or losing their liberty? Can murder sometimes be justified? And, perhaps a little more whimsically, can buildings hide secrets and even, in certain contexts, develop personalities of their own?
In a future post, I’ll take a closer look at the mystery of parentage. For now, I’d like to consider the second of these themes. Wishing to find out more about whether murder can ever be excused, I looked up the term ‘justifiable homicide’. Unsurprisingly, I discovered that in different countries there is quite a range of legislation ‘allowing’ murder (i.e., not prosecuting the perpetrator). Internationally, the most frequently invoked law is one that absolves the murderer of blame if s/he killed while fearing for her or his own life, or the life of someone else in the immediate vicinity. In other words, the murder has been committed in self-defence. However, the precise definition of what legally constitutes self-defence is often unclear. For example, English law allows someone to exert only ‘reasonable force’ when defending property from an intruder, even if the intruder is trespassing in the middle of the night and the householder claims that s/he was terrified. The well-publicised case of Tony Martin, who shot dead a teenage boy and injured his twenty-nine-year-old burglar companion when they broke into his remote farmhouse in the early hours of one morning in the year 2000, remains controversial. Martin was convicted of murder, later downgraded to manslaughter. He served three years in prison before being released. Twenty years on, public opinion is still divided on whether he should have been convicted at all, but his conviction was the result of careful application of the law. The plea of self-defence therefore seems to depend on a number of factors, including the circumstances of death, how the law may or should be interpreted, the verdict of the jury if the perpetrator is taken to court and, finally, the views of the presiding judge.
Some countries allow or condone types of killing that others would not hesitate to regard as murder. Abortion and euthanasia are allowed by some western jurisdictions, condemned as murder by others. So-called ‘honour-killings’, while they may still be against the law, may attract lower sentences than other kinds of homicide in the countries where they are most commonly practised. (I take a closer look at honour killings in Rooted in Dishonour.) Perpetrators of ‘crimes of passion’ – i.e., murders committed in the heat of the moment, usually against a partner or spouse who has been caught ‘cheating’ or his or her lover – may sometimes be judged leniently, even sympathetically, especially in Latin countries, and a much-reduced sentence consequently handed down.
Whatever one’s stance on this, the logic that dictates that not all murders are equal when it comes to assigning culpability is not hard to understand, even though it is often controversial. But what if the murderer were under no particular pressure when s/he committed the murder? Would it make any difference to the degree of culpability in terms of, say, such a (possibly extenuating?) circumstance as being unexpectedly accosted – perhaps at home – by someone who might not have been at that moment an obvious direct threat, but who had previously inflicted personal – or close-to-personal – harm on him or her? And what if the victim were a totally reprehensible character with no counterbalancing virtues whatsoever? Could the case ever be made for letting the murderer of such a person go scot free, with his or her crime condoned or even tacitly approved by the authorities?
That was the conundrum I had to address when I started to write De Vries.
De Vries is the sequel to Sausage Hall, the third in the DI Yates series and among the most popular. It will be published in March. It is indelibly etched on my memory as having been written during the first year of COVID. I’m sure many other writers will have particular memories of what they wrote in 2020.
Readers of Sausage Hall have been asking for a sequel ever since it appeared in 2014. I have found their enthusiasm uplifting and should like to take the opportunity to thank them for it. As soon as Sausage Hall was published, I knew I would write its sequel one day, because the story of Kevan de Vries is far from finished when it ends. Seven years after the curtain went down on de Vries, now exiled to his luxury home in Marigot Bay, it seemed the time was ripe, not least because the seven-year gap features strongly in the plot and is instrumental in deciding de Vries’ fate.
All the DI Yates novels prior to De Vries are standalone. Although the same central characters appear in all of them and some of the minor characters feature in more than one, De Vries was my first attempt at writing a novel whose plot depended on the plot of an earlier book. After giving this a great deal of thought, I decided that I wanted De Vries to work as a standalone novel as well as a sequel – I always feel those authors who expect their readers to read novels 1 – 8 in order to understand novel 9 are cheating. This presented some interesting challenges which I hope I have managed to address successfully, mainly through the use of ‘need-to-know’ tasters. There are snippets of information about what happened in Sausage Hall dotted throughout De Vries – enough, I hope, not to fox or bore the reader – without spoiling Sausage Hall for those who come to it afterwards.
I’ve previously told readers of this blog how my eagle-eyed daughter-in-law picks me up on discrepancies of fact and characterisation between the novels. Spotting and eliminating such errors seemed even more vital this time. She and my editor both re-read Sausage Hall before embarking upon De Vries and I re-read it several times myself – the first time I have read one of my novels all the way through again after it was published.
As it happens, I remembered the plot and characters of Sausage Hall quite accurately, more so, perhaps than some of the more recent DI Yates novels. Nevertheless, re-reading it was an unusual experience because it also reminded me vividly of the specific occasions on which I worked on certain chapters. For example, it was during one of many court adjournments when I was doing jury service at Sheffield Crown Court that I read of the links to Lincolnshire of a famous historical character that gave me the idea for the sub-plot; I was on holiday in Germany when I started writing about Florence Hoyle’s journal. The German holiday house was on a farm in the Munsterland and I remember sitting at the kitchen table with my laptop, the brilliant sunshine streaming through the open door. (Less edifyingly, I was also eating banana cake.)
De Vries himself is one of the most complex characters I have tried to create. He’s not exactly likeable, but he is charismatic; the reader feels sympathy for him because he’s suffered more than his fair share of misfortune – but he brought much of it on himself. Is he a murderer, or has he been framed? I won’t say any more, because I don’t want to spoil it if you’re interested!
I don’t have the finished jacket for De Vries yet, but I will post it on this blog as soon as I can. I’m thrilled with it – it’s an original sketch by Sophie Ground, a very talented artist friend and daughter of my friend Madelaine, herself also an accomplished artist.
I’m also delighted that all the Yates novels except Almost Love – which I’m rewriting; it will be back again in the autumn – are now published by QuoScript, a vibrant new publisher specialising in crime and YA fiction.
I may not have the jacket yet, but I can share the blurb from the back cover. I hope you find it intriguing!
Wealthy businessman Kevan de Vries returns to the UK after an enforced absence, travelling incognito and taking up residence at ‘Sausage Hall’, his ancestral home in Sutterton – secretly, because he must evade being questioned by DI Yates about the disappearance of Tony Sentance seven years previously. Sentance’s sister Carole persistently lobbies the police to have her brother declared dead so she can inherit his estate. She believes de Vries murdered Tony.
De Vries knows he risks imprisonment by coming home, but he’s obsessed with learning his father’s identity, never disclosed by his mother.
Agnes Price, a young primary teacher, becomes increasingly concerned about the welfare of one of the children in her class. Leonard Curry, a schools attendance officer, is sent to investigate, but is attacked. Someone frightens Agnes when she is walking home one night. Shortly afterwards, Audrey Furby, Curry’s niece, disappears…
De Vries is the sequel to Sausage Hall; each novel can be read independently of the other.
Whether you think that spring begins on 1st March (meteorologists’ definition), 19th March (the equinox) or 25th March (Lady Day), the sap is certainly rising now. It’s impossible to ignore this break-out of beauty as animals, birds, insects and plants and flowers engage in their annual rejuvenation, totally untouched by the human despair at the break-out of the coronavirus. It’s as if we live in parallel universes. I do wonder whether the more perceptive scions of the natural kingdom have noticed humans behaving strangely. Perhaps not; perhaps they don’t care – but it is to be hoped that some are benefiting from the steep global drop in carbon emissions, the newly-clear rivers, streams and canals and the lessening menace of ‘road kill’.
I’ve noticed the signs of spring more keenly this year, possibly because I’ve been at home more (though I’m always at home quite a lot), but more probably because you cease to take for granted what you love about your life when it comes under threat. I’m sure we all have been recalibrating our outlook on life, thinking about what is most important to us and possibly even thinking that some of the new ways of working could become permanent rather than a temporary measure to contain Covid-19.
My garden is only small, but both the pond and the old cattle trough that I was given for my birthday a couple of years ago glisten with frog spawn – the biggest crop I can remember.
The mint is pushing up through the soil in the planters, each tender shoot furled and delicate as a rosebud;
and a very handsome pheasant, his feathers mating-resplendent, struts his stuff under the fruit trees, certainly not too proud to eat the seeds that fussy finches and tits scorn and toss from the bird feeders. He’s sometimes joined by a grey squirrel engaged in the same activity. I’m not a great fan of grey squirrels, but this one endears by being enterprising. If the pheasant doesn’t keep his eyes peeled, he misses the next shower of manna as it flows from the feeders because the squirrel will grab it first. He doesn’t seem to think it’s worth chasing the squirrel away. (My cat, by contrast, certainly has designs on the pheasant, although she is only half his size and I think would be no match for his sharp and powerful spurs.)
Although the sun is shining, the chill winds from Europe are still with us and there was a heavy frost last night. We awoke to frozen windscreens and glittering ice. It felt healthy, somehow – bracing, antiseptic, optimistic and beautiful all at the same time.
My writing has been interrupted over the past few weeks by the exigencies of the day job, including taking the same time-consuming measures that everyone has had to resolve as we lock down. But I’m back into De Vries now – it’s the sequel to Sausage Hall – and keenly aware of the privilege of being able to sit here and work on my next novel.
I hope that everyone who reads this blog is keeping safe and well and that, whatever the fears and inconveniences that beset you, there have been some good and happy things resulting from this mass change of lifestyle, unprecedented not only in our lifetimes but possibly in the whole of history.
I’m going to start a new venture soon, to help writers and those who want to read their work, and I’ll keep in touch with you about it, if I may.
With love and hope and very best wishes,
Saturday was a clear, crisp, cold day after many days of rain and muggy warmth. It felt like a proper winter’s day, of the best possible kind!
Before it was quite light, I was heading for Stamford – one of my favourite places – for a signing session in Walkers Bookshop, at the heart of the town. First stop, however, was the George, Stamford’s splendid old coaching inn – for coffee and pastries in front of its roaring open fire!
I am very happy to be able to say that Walkers is an extremely successful bookshop. The period after Christmas is a notoriously slack time for bookselling – as for all types of retail activity – but on Saturday, Walkers was clearly thriving, with a constant flow of people, many of whom engaged me in conversation and not a few of whom bought Chasing Hares or one of the other Yates novels (In the Family and Sausage Hall seem to be the perennial favourites).
I was particularly smitten by the little girl who told me she wanted to be an author and an illustrator! And also delighted – and very honoured – that Rex Sly, whose books about the fen country I have long been consulting when carrying out my research, came in to meet me. We had a long conversation about writing. Himself a Lincolnshire farmer – he lives in the farmhouse in which he was born – Rex told me that at one stage his family’s problems with hare coursers had become so grave that they considered moving out and finding somewhere else to live.
Many thanks indeed to Jenny Pugh and all the staff at Walkers for arranging the session and making me as welcome as always – and for providing tea and other comforts!
After a quick lunch and a brief exploration of Stamford – it has an amazing ironmonger’s which always draws my husband like a magnet – it was on to the library, where Jane Barber, one of the librarians and an old school friend, had again used her fertile imagination to plan an event, this time a murder mystery event that she called ‘Tea and Murder’. She and her colleagues expended a great deal of energy and time on this and they – and I – were rewarded by its being a hugely successful event. They attracted a very large audience, some of whom I had already met last spring at the first DI Yates event in Stamford Library.
I talked about how I had come to write Chasing Hares – not forgetting to mention the large part played by my friends Madelaine, Marc, Anthony and Marcus and by South Lincs police, all of whom had a significant hand in creating the plot – and read aloud the first chapter. We then had a lively discussion about how to plan a murder. I said that although the characters in my novels are all (except one) fictional, or at most composites of several people I have known, the plots are often inspired by real-life crime. For example, the plot of Fair of Face draws heavily on the White House Farm murders (a version of which is now being televised) and Chasing Hares is in part the product of a great deal of research about hare coursing. We talked about the perfect crime being one which was never discovered – which doesn’t work in fiction, for obvious reasons – but how some novelists have got round this by allowing the murderer not to be caught (Patricia Highsmith, in the Ripley novels) or by using the device of the unreliable narrator (probably started by Agatha Christie, when she wrote The Murder of Roger Ackroyd). In my own Sausage Hall, Kevan de Vries appears to get away with murder – but watch this space! Kevan will return in my next book – to be called, simply, de Vries – and he may not be so lucky next time.
Then there were (delicious!) cakes and tea.
All this was a prelude to a murder mystery for which Jane had set the scene. She had even produced an actual body – the ‘body in the library’! The audience worked in groups, each group to decide who the victim was, who the murderer and what the motive. Each suggestion was more ingenious than the last: it was impossible to award a prize for the best one!
The whole evening was very light-hearted, relaxing and entertaining and the audience at Stamford has become one of my great favourites. I’d like to thank everyone who came to the event for turning out on a Saturday (and also a cold evening), some travelling from quite a long way away. And very sincere thanks to Jane Barber and her colleagues for all their hard work and for pulling off another triumphant event – Jane’s inspirational activity and her sensitive management of it were indeed wonderful to see. 😊
Gentleman Jack is launched! Thank you to all those who helped.
Gentleman Jack, the seventh novel in the DI Yates series – and the first about a serial killer – was published on October 15th 2018. This is a round-up of the events and some of the reviews I’ve been lucky to have received since.
On October 15th, Bookmark in Spalding – always a staunch and much-appreciated supporter of my novels – gave me a signing session.
On the 17th, I had a very lively interview with David Harding-Price at Radio Lincoln City.
Then it was back to Spalding for an event in the library on the afternoon of the 18th and to give a talk at Bookmark that evening. Both talks featured serial killing and how I have tackled the subject. At these events, I was delighted to meet so many friendly faces, both those well known to me and some new ones. A very happy direct outcome of the Bookmark occasion was that I was able to meet an old schoolfriend whom I last saw before I was married; I was also reconnected with two other friends from Spalding High School. I was also privileged to be supported in the evening by the current owners of the real Sausage Hall and their daughter.
My sincere thanks to Sam and Sarah at Bookmark and Sharman in the library, not forgetting all their colleagues for making these events a success.
On October 19th, I was interviewed by BBC Radio Lincolnshire’s Carla Green, who was as generous as always with her time and praise. (Then I went to India for five days – the day job intervened.)
On my return, Walkers Books of Stamford provided their usual impeccable hospitality with a signing session – this has become an annual event – and, as always, I enjoyed talking to their customers, who included some of the people I met at the Stamford Academy Literary Festival last June. A big thank you, therefore, to Jenny and Linda at Walkers.
Meanwhile, Emma Dowson, Salt’s PR Manager, had organised the best blog roll I’ve ever had the good fortune to experience. I’d like to thank all the bloggers for their very generous reviews, and for publishing several articles they requested from me as guest posts on their blogs. Zoe Myall, of the Spalding Gazette, wrote a brilliant review of Gentleman Jack and I’d very much like to thank her, too.
My final event before Christmas was, if not the most ambitious, certainly the quirkiest. I am a frequent visitor to Papworth Everard, in Cambridgeshire, as I have family living there, one of whom told me that a micro-brewery had recently opened in the village and that it sold a beer called ‘Mad Jack’ – not quite ‘Gentleman Jack’, but near enough! The micro-brewery is situated outside Papworth, but its products are sold in a coffee shop there that doubles as a bar and gin palace in the evenings – it’s called ‘The Courtyard’.
(As one of my readers said – ‘Crime and gin – what more could anyone want?’) I happened to pop in for a casual gin and met Chris Jones, the proprietor of both bar/gin palace and brewery, who told me that he had been thinking of holding some events there. One gin led to another and we agreed to collaborate to provide a crime evening with a focus on the DI Yates books… and with liquid refreshment! It proved a winning combination! 😉
I made many new friends there and was also supported by several long-standing ones. Much gratitude to the captive audience of locals who’d only dropped by for a drink but nevertheless joined in, one of whom even called up his wife, a book enthusiast, to bring her down! I was also staggered that one member of the group had bought and read In the Family in advance of the session – much appreciated, Nathalie! I also particularly enjoyed having the opportunity to meet and chat to the members of the Papworth Reading Group. Huge thanks to Chris Jones and his long-suffering staff, who cheerfully waited for us to leave some time after closing time. You, Chris, will be pleased to know that Mad Jack is now being celebrated far beyond Papworth!
I do have one more piece of news, but I’ll save that for another post. For now, I’d like to thank everyone who has helped Gentleman Jack to meet the world, including the many people whose names I have not been able to mention in this short post.
And if your library, bookshop or reading group is looking for someone to talk crime, killers and bodies, you know where to come!
Last Saturday, as last year and the year before, I once again enjoyed a warm welcome in Stamford’s Walkers Bookshop, which hosted a signing session for the publication of the new DI Yates.
In spite of the cold (snow had arrived the previous day in the Pennines), Christmas was in the air and the shop looked very handsome, newly kitted out with its festive stock. I enjoyed talking to customers as they came and went. I was particularly grateful to Anne’s daughter (who sent her husband back to the shop to buy the book, having herself first gone home to check that her mother didn’t have it), to the lady who bought a copy for her friend ‘Brig’ and with whom I had a fascinating conversation, to Brian, Vetta and Liam, a British/Scandinavian family, who took a huge amount of interest in all the books and how I’d come to write them and to the man who, after a great deal of deliberation, decided that he’d rather have Sausage Hall. Several people wanted to buy the earlier DI Yates novels. I was very sorry to have missed ‘the man from Gainsborough’, who’d visited the shop about half an hour before I arrived and bought all the novels, but couldn’t wait long enough to have them signed – I do hope that you will read this blog post and, even more, enjoy the books!
I’d like to extend special thanks to Jenny Pugh and Tim Walker, who invited me to the signing, and Lynne, Linda and Sophie, who looked after me so well on Saturday. I hope to look forward to meeting you and some of your wonderful customers again next year.
Stamford in Lincolnshire bestrides the River Welland (which also flows through the Spalding of the DI Yates books) and marks the ancient ford across the river where the Romans chose to route Ermine Street on its way north. Going there to sign copies of The Crossing, the fourth DI Yates book, seemed very appropriate!
It seems to be a continuing theme of The Crossing events that they are fated to happen in extreme weather. Harlow Carr was squally, Spalding was tempestuous and yesterday Stamford was bitterly cold! The cold hit me as soon as I got up yesterday morning. Venturing out with the dog before dawn, I noticed that a clutch of flowerpots outside the back door seemed to have sprouted a mysterious white substance. Closer inspection revealed it to be snow. Once clear of the parking area in front of my house (treacherous with black ice), I saw that all the rooftops and hedgerows in the village were twinkling with crisp snow.
It’s a two-hour drive to Stamford and, although my husband and I were heading due south, it seemed to get colder as the sun rose higher in the sky. Stamford itself was in the grip of a vicious north wind which, the weather forecast informed us, was blowing straight down from the Arctic. It didn’t seem to deter the citizens of the town: wrapped up in thick coats, hats and scarves, all seemed to be going about their business cheerfully. The Christmas decorations had been put up, most of the shop windows now carried Christmas displays and the cold served only to make the atmosphere more festive.
My destination, Walker’s Bookshop in the town centre, was as warm and welcoming as always. Its Christmas stock had been laid out beautifully and customers came, sometimes in droves, sometimes in flurries, to admire it and to browse and buy. I’d been allocated a table near to the cash desk to sign copies of The Crossing and we did a brisk trade throughout my allotted time there.
I’d like to thank both the people of Stamford and the several visitors to the town whom I met not only for buying the book, but also for the fascinating conversations in which we engaged throughout the day. There was the lady whose father had owned some of the gravel pits that I write about in Almost Love. She told me that when she was a child they’d found many things in the pits, including a mammoth’s tooth (I mention the mammoth’s remains in the book), a pewter salver and several skeletons, some of which had been buried face down, perhaps because they belonged to murderers or suicides. The artefacts had all been given to a local museum, but the bones were removed by police who ‘just put them into bags and carted them away. It was the sixties and seventies. They didn’t bother to reinter them or find out how old they were.’ Shades of Sausage Hall! It is tantalising to think that some may have been the result of more recent murders: if so, the murderer(s) got off scot free! There was another lady from Cornwall who said her neighbour was Dawn French. She asked me about my writing routine. I said that although most of my writing is done in my office, I can also write on trains and in cafes. Dawn, apparently, must have absolute solitude and silence when she writes. Several men made purchases: they tended to be more interested in the series and how the novels relate to each other than more general information about the South Lincolnshire setting or how they came to be written. People of all ages stopped to talk to me. My youngest buyer was still at school. I was delighted that so many young people were interested, including a young woman who would have bought the whole set if we hadn’t run out of Sausage Hall and said, while buying the other three, that she’d order it. Some old friends also made the considerable journey from Nottingham to give their support.
The time flew by, as it always does for me when I’m in a bookshop. I had a truly wonderful day. I’d like to thank Tim Walker and Jenny Pugh for arranging the signing session and Mandy and Karen for looking after me so brilliantly while I was in the shop. It’s a very distinguished bookshop indeed and well worth the short detour off the A1 if you happen to be passing that way.
On the way home, it didn’t seem so cold, but perhaps that was just because I was enveloped in the rosy glow of having been able to meet so many new enthusiasts.
This is the final post on my launch week activities for Sausage Hall. I’m covering the last two events: Tea at Sausage Hall, an imaginative tea-party given last Wednesday by Alison Cassels, Lynne Holroyd, Claire Pickering and their colleagues at the Wakefield Library at Wakefield One, which regular readers of this blog will know has provided me with granite-strength support ever since In the Family was published two years ago,
and an evening of conversation and readings at the Covent Garden branch of Waterstones, rounding off the celebrations with a London launch on Thursday.
Ever resourceful, Alison and her team provided sausage rolls, cake (Yes, there was cake!) and biscuits for the tea party. (Her e-mail to me when organising the event reads ‘Can you put chocolate cake in the title of your next book?’)
As always, she promoted the occasion superlatively well and attracted a lively and engaging audience, amongst whom were old friends (such as Marjorie and Pauline – both also fab visitors to my blog) from the library’s book club, as well as many interesting new faces.
There’s obviously a lively and diverse events programme at Wakefield One: under the table bearing the tea-cups was a box containing a plastic skeleton (I was rather disappointed that someone arrived to remove it, as a suitable visual aid never goes amiss), while high on one of the shelves was a stuffed green parrot in a glass case. (My husband dared me to say ‘Norwegian Green? Is it nailed to its perch?’, but, though tempted, I’m afraid I failed to rise to the occasion, having on my mind things other than late parrots gone to meet their maker.)
Wakefield One audiences are truly wonderful.
They are united in their love of books and reading, and not afraid to tell it how it is. I’m delighted that they like my novels, because they would certainly tell me if they didn’t – during the course of the afternoon, they told me exactly what they thought of the work of a writer who is much better known than I am! As well as being extremely perspicacious, they’re fun and they like to have fun.
They know what they want and they want more of it: I’ve already promised to return to talk to them about DI Yates numbers 4 and 5. It was my first Wakefield audience that told me how much they enjoyed reading about Juliet Armstrong and that they’d like to see more of her. I hope that they’ll think I’ve done so in Sausage Hall, where Juliet’s story takes a new turn.
Several of the Wakefield readers had already bought Sausage Hall and came armed with it for me to sign. Others bought it during the tea-party; as at my other Wakefield events, the books were kindly supplied by Rickaro Books in Horbury. A man in the audience asked for an interesting, and very relevant, inscription (see caption): apparently, these are the nicknames of his brother and sister-in-law!
The event at Waterstones Covent Garden was masterminded by Jen Shenton, the bookshop’s lovely ‘can-do’ manager.
I hadn’t met her before, but as soon as I saw her I knew what a distinguished bookseller she is. It’s something you can’t fake: I honestly believe that the best booksellers are born, not made, though that’s not to say they don’t work hard all the time in order to stay ahead. I didn’t leave Jen’s shop until almost 9 p.m., and she was still there behind the till, helping customers, smiling and looking as fresh as a daisy, even though she must have been feeling exhausted.
This event also had a wonderful audience.
Many of my friends from the book industry came (which meant they bowled me a few googlies when it came to the questions). It was a light-hearted, laughter-filled evening, well lubricated with Waterstones wine and sustained by Adams & Harlow sausage rolls. I was delighted that Tabitha Pelly, who has worked with Salt on PR for Sausage Hall, was able to come. Like Jen Shenton, she seems never to tire or have a negative thought in her head.
I left the shop laden with some book purchases of my own and headed for King’s Cross station to catch the last train. It was the perfect end to an extraordinary week. My only sadness was that Chris and Jen Hamilton-Emery, my publishers at Salt, were unable to come. But I know that they’ve been keen followers of my progress as I’ve sprung Sausage Hall upon the world and I look forward to catching up with them next week. Today is Chris’s birthday: I’d like to take the opportunity to wish him many happy returns!
Grateful thanks, once again, to Adams and Harlow for their wonderful sponsorship of the launch of Sausage Hall.
In this extraordinary Sausage Hall launch week, which I am enjoying so much and for which I am very grateful, I’d like to pay tribute to two amazing bookshops.
The first is Bookmark, Spalding’s very distinguished bookshop (the CEO of the Booksellers Association, Tim Godfray, has even been known to serve behind the till there on occasion). Bookmark very generously offered to host the Sausage Hall publication day party, which took place in the evening of November 17th, after the day that I spent at Spalding High School. The event was masterminded by Christine Hanson, the owner of the shop (who is both practical and imaginative – she fixed both a toilet roll holder and a broken table joint within minutes of my arrival, while the shop itself, resplendent with its Christmas stock and decorations, achieved a standard that I’d have dearly liked to replicate in my bookselling days), and Sam Buckley, also a former pupil of Spalding High School, who organises author sessions at the shop. Equally generously, the launch party was sponsored by Adams and Harlow, the local pork butchers, who supplied sausage rolls for the occasion.
This event was attended by members of Bookmark’s lively reading group and some old friends of my own. I was astounded to see Finola, a day-job friend – she had driven for more than an hour from Cambridge in order to support me. I was also staunchly supported by Madelaine, one of my oldest friends, and her husband, Marc, who have both offered me hospitality every time I’ve returned to Spalding as Christina James and also bought many copies of my books as presents for everyone they know who might enjoy them.
Madelaine’s contribution to my writing is acknowledged in Sausage Hall. I was also delighted to see Sarah Oliver, whom I first met at the Priory Academy last spring and who came with her husband. The book club members, who lived up to their reputation for being engaged and vivacious, were shrewd and perceptive: as well as listening attentively to two readings from Sausage Hall, they launched into an animated discussion about all three DI Yates novels. Everyone present bought at least one of the books, some more than one. (Sam Buckley later this week let me know that one member of the audience, who had not read any of the novels and took away with her In the Family, returned within forty-eight hours, having read it, to acquire Almost Love and Sausage Hall as well!) And, of course, I couldn’t myself resist making a few purchases in this fairy-tale bookshop.
Having spent the night with my son and daughter-in-law at their house in Cambridgeshire, I arrived in good time on Tuesday November 18th for a signing session at Walkers Bookshop in Stamford. Although I first met Tim Walker, its owner, last year (he’s currently President of the Booksellers Association), I had not visited one of his bookshops before, The one in Stamford is in a listed building in the town centre; he also owns another in Oakham. I was particularly impressed by the huge range of stock in this shop, both the cards and gifts downstairs and the extensive range of books upstairs. Tim and the manager, Jenny Pugh, were respectively at the other shop and taking holiday, but everything had been set up for me and Mandy, the assistant manager on the book floor, couldn’t have made me more welcome.
Bookmark and Walkers are two fine examples of thriving independent bookshops, packed with atmosphere and individual charm and led by brilliantly creative people who understand how to serve their communities very well indeed. It was a privilege and a pleasure for me to have been able to enjoy what they had to offer and I’d very much like to thank Christine and Tim for hosting Sausage Hall events this week.
At first light yesterday, I travelled to Spalding High School, my own former school, to which I had returned only once previously since leaving the sixth form. I received a wonderful welcome from Adrian Isted, the newly-appointed Head of English, who began the day’s activities by showing me round the school.
First stop was the office of the headteacher, Mrs. Michele Anderson, who is also fairly new to the school. She was fascinated to hear a little more from me about Mrs. Jeanne Driver, the first married headteacher at the school, who was its leader throughout my school career. Born Jeanne Ouseley, she lived at 10, High Street, a large house of several storeys situated near the River Welland in Spalding. Part of this house was divided into flats and there were usually several other teachers living there, as well as two of my fellow sixth formers, Cheryl Ouseley and Elizabeth Davies, both of whom were her nieces. They called her ‘Auntie Jeanne’, a name that the rest of the sixth form also used affectionately, if unofficially. Mrs. Driver was one of several strong women who influenced me as a girl. She had a strong sense of duty and an even stronger work ethic. We found some of the things she said highly amusing (for example, ‘I stand up whenever I hear the national anthem, even if I’m in the bath.’). Sometimes she took the notion of duty to an extreme. I remember she told us that when her husband, who had been in ill health for some time, finally died, she finished marking a set of books before setting in train the preparations for his funeral. But her influence has lasted all my life.
The school has been added to, but otherwise is little changed. I suppose the thing that struck me most yesterday is how it seems to have shrunk. The corridors seemed longer, the stairways steeper, the ceilings higher when I first attended it as an eleven-year-old, then for only a part of the school week – pupils belonging to the first two school years still spent most of their time at the old school building in London Road, the first home of Spalding High School when it was established in 1920 on the site of its predecessor, the privately-owned ‘Welland Academy for Young Ladies’. (The present school building was completed in 1959, but the London Road property continued to be used by younger pupils for more than twenty years afterwards.) The assembly hall still boasts its luxurious but absurdly impractical parquet floor.
In my day it doubled up as a gym (there is now a separate sports hall) and we were obliged to do PE barefoot, which we all hated, so that the floor wouldn’t become scuffed by gym shoes. The same grand piano stands in the corner, to the left of the stage. In the corridor outside the headteacher’s office are several group photographs taken of all the teachers and pupils at intervals during the school’s history. After some searching, I was able to discover myself on one of these – and I could also name all the other girls in my form and most of the teachers.
After the tour, I was interviewed by Eleanor Toal and Holly Hetherington for High Quarterly, the school’s completely online magazine (which is streets ahead of the drab, dark-red-covered printed production of my youth). Eleanor, the e-zine’s editor, also writes articles for the Spalding Guardian, carrying on the long-standing relationship between the school and the local newspaper. Eleanor and Holly (who edits Gardening and Food in the mag) knew they were going to be asked to interview me only very shortly before we met, because the intended interviewer was ill, but I wouldn’t have known if they hadn’t told me. I was much struck by the sensitivity and perspicacity of their questions and enjoyed answering them.
After lunch, I talked to sixth form English students about how to get published. Jean Hodge, who reports on cultural affairs for the Spalding Guardian, also attended and joined in. It was quite an exciting occasion, because it also took the first steps towards setting up a short-story competition that the Great British Bookshop has agreed to sponsor at the High School. Adrian and his colleagues and I will choose the best ten or twelve stories submitted to be published in a single volume at The Great British Bookshop’s expense. Winners will each receive a free copy of the book, which will then go on sale in TGBB’s extensive distribution network. I’ll be writing more about the competition in this blog very shortly.
I completed my day at the school with a writers’ workshop for Years 7, 8 and 9 students. The participants explored some of the key elements of crime fiction (they proved to be very well read) and collaborated to put some of those into practice. Their discussion illustrated their excellent grasp of linguistic and literary effects and the results were amazing! Nearly all of these students bought one of my books at the end of the session; some bought all three. Thank you!
I can’t conclude this post without saying that a remarkable library now exists at Spalding High School. The library is housed in the same room that I knew, but what a difference in the stock! The emphasis is on supplying students with books to read for pleasure. It’s a place of relaxation and also a place where students can go to work in groups. There’s none of the shushing and grim looks that any talking in the library produced when I was a schoolgirl and all the dusty old Latin grammars and ancient editions of Gray’s Anatomy have been disappeared. Hats off in particular to Kirsty Lees, the School Librarian and Learning Resources Manager, and to her team. The school knows how lucky it is to have them and to be able to enjoy the warm and inviting place (complete with crime scene rug featuring a splayed body) that they have turned it into.
It’s almost impossible for me to thank all the people who made this day so special. I’m deeply grateful to Michele Anderson for making it possible; to Adrian Isted and Kirsty, for making it happen; to Eleanor and Holly, for giving me such a delightful interview; to Jean Hodge, for all her support for Sausage Hall both at this event and elsewhere and, especially, to all the students whom I met yesterday, who were such a joy to work with and who were so keen to develop their own writing. Thank you all!