The Heritage Murders, the third DI Yates novel to be published by Bloodhound Books this year, came out yesterday. The others, The Sandringham Mystery and The Canal Murders, were published in April and July respectively.
The novels have attracted a great deal of interest and I am hugely grateful to all my readers and to Bloodhound for producing and promoting them so magnificently. Nearer to Christmas, they will also be on sale as a boxed set. For the moment, it seems appropriate to me that The Heritage Murders should appear right at the start of the autumn. Soon the nights will be drawing in and books will become an even larger part of readers’ lives than at other times of the year.
As readers of this blog will know, I rarely use it to promote my own books. I shrink naturally from boosting myself and I am much more comfortable in writing about the work of other authors or interesting encounters I have had with other people or unusual places I have visited. However, now I have a new publisher, it is important for me to find a wider audience and to attract some new social media friends (those I have already made have been hugely supportive of both my books and my blog) in the UK and America and other English-speaking countries. I visited New York in July and have made a start!
If you are a blogger based in the US or UK and would like to review one of my books or perhaps to invite me to write a guest article for your blog – or, if you are an author, review one of your books – I should be delighted to hear from you. Similarly, I am very happy to write articles for booksellers and librarians, magazines and newspapers. If I can be of help to you by entertaining your existing readers or by extending your reach, just let me know!
Natalie is one of my fellow Bloodhound authors. We ‘met’ on a podcast in April, when The Consequence of Choice, her debut novel, and The Sandringham Mystery were both published.
Q: What is the title of your novel? Briefly, what is it about?
A: The title of my novel is The Consequence of Choice. The book tells the story of the introduction of a ‘one-child’ law as a means to minimising the world’s ever-growing population. Fast forward ten years. Elspeth, the main character finds herself pregnant, which is illegal, and soon the police are on the case. The story follows four characters. Each has his or her own agenda: they either strive to help Elspeth or to catch and convict her.
Q: Why did you decide to write a novel in the crime genre?
A: I don’t feel that it was a conscious decision to write a crime-based novel. It suited the plot, allowing for suspense, twists and turns and drama to be woven into the story.
Q: How long have you wanted to write? And what inspired you to start writing this book?
A: I have always had a passion for books, but until I wrote The Consequence of Choice I was content to be the reader rather than the writer. It was only after I had my son that I first put pen to paper. I wanted to write a story for him. My ambition snowballed as my love for writing took hold. It is my first attempt at writing something other than children’s fiction.
Q: I know you are a nurse by profession and that you live in Sussex. Have you drawn on your knowledge of nursing, medicine etc. in the novel? Or on the local topography?
A: Like me, Elspeth is a nurse. A piece of advice I read early on in my writing journey was to ‘write what you know’. I felt that following this advice ensured that my novel had authenticity and allowed me to write with confidence. I drew on my nursing knowledge at times, although I was mindful that I didn’t want the text to feel too clinical. The locations depicted in the book are familiar to me. I wanted to be able to picture the places I was writing about.
Q: What do you find most challenging about writing fiction? And what do you find most rewarding?
A: Being able to weave a story which has the reader enthralled is the most rewarding part of writing fiction: knowing that the reader is as invested in the story as I have been. The main challenge always lies in creating a story which captures someone’s attention. I often worry that the plot isn’t moving quickly enough or is moving too quickly. Sometimes I feel I overthink how my writing will be received by my readers.
Q: How did it feel to see your book in print, when the first copies arrived?
A: It was amazing to hold that first copy in my hands. It felt like such an achievement to have created a piece of work which other people also believed in.
Q: Are you working on another novel now? If so (without giving too much away) can you say what it is about?
A: Yes, I am, although it may be put on the backburner soon as I am due to have my second child this summer. The plot of this book is quite different from The Consequence of Choice. It focuses on two characters who are each struggling with demons: one is challenged by a mental health issue; the other by a medical condition. For one of them, all is not as it seems. In facing up to what she has most been afraid of, her medical condition, she discovers that her path is inextricably linked with that of the other character’s.
Q: What do you like to read yourself? Are there other crime fiction writers you admire? Aside from crime writers, who are your favourite authors?
A: I will read novels in most genres. I am all about the characters, I want to be invested in their story. Regarding crime writers, I do enjoy Peter James’ books; perhaps this is because his books are set in and around Brighton, the city I grew up in.
Q: What would be your advice to struggling new authors just starting out?
A: I can only pass on that same advice: ‘Write what you know’. This will make your story real and enable you truly to picture what you’re writing about. Oh, and don’t give up. You should write because you enjoy it, because there is a story you’re burning to tell, then you will be rewarded, no matter what the outcome.
The Sandringham Mystery was published by Bloodhound Books on April 19th, just after the Easter break. The Bloodhound jacket is brilliant – I’m delighted with both it and the support I’m getting from the Bloodhound team. They even sent me an inscribed mug to celebrate the publication date – a first in my experience!
I feel extremely privileged to have been invited to speak at two events very shortly after the book came out. First was the Deepings Literature Festival, where I gave a talk in the Oddfellows Hall at Market Deeping on April 29th to a very lively and engaging audience. I was so happy to be able to speak at the festival at last – I had been scheduled to make my debut there in 2020, but COVID intervened. Astonishingly, since I grew up in Spalding, which is only twelve miles away, I’d never been to Market Deeping before. (I know Deeping St Nicholas well – my great aunt lived there – and I visited Deeping St James as a child – with my father, whose job included dropping in on sugar beet farmers.)
I know of several Oddfellows Halls in Lincolnshire and, as the name has always intrigued me, I looked it up. The name ‘Oddfellows’ was first used in the early eighteenth century, but their practices were much older – the movement derived from the mediaeval guilds and there are even some suggestions that its roots lay in ancient Rome. The Oddfellows were – are? – akin to the Masons, but the two groups have always preserved distinct identities. They were/are certainly not peculiar to or especially relevant to Lincolnshire (though someone no doubt will correct me on this!) and, since they seem in the past to have had strong links to Roman Catholicism – they were keen supporters of Bonnie Prince Charlie – their strong Lincolnshire associations are surprising. The county is more renowned for its championship of Wesleyanism than Catholicism.
The Oddfellows Hall in Market Deeping turned out to be a very hospitable place. I was grateful that so many people chose to attend the event – the hall was packed – and to stay behind to talk to me afterwards. Huge thanks to Linda Hill and Jenny Spratt for organising and promoting it.
Five days later I was welcomed to the library at Papworth Everard, where I was honoured to take part in the first author event there since the COVID lockdowns of March 2020. This was attended by another large and lively audience, including at least two fellow authors. We managed to discuss many topics, including the relevance of government crime statistics, the importance of place in crime fiction, how to plan a novel and how authors use real crime stories for inspiration while at the same time being careful not to cause distress by depicting the real-life victims. Huge thanks again to Nicola and Terri, who put in an enormous amount of work to make this a success.
It is great to be back on the author circuit again. I’m certain that many other authors feel the same. This will be the best year we’ve had since 2019 – the magic created, as always, by wonderful readers and audiences. I’m hoping to take part in many more events as the spring turns into summer. If you are running a library, a festival or a bookshop and think I can make an interesting contribution, please do let me know.
The Sandringham Mystery and some personal memories of places and people with a part to play in its creation
When I was a child, the motor car was the ultimate status symbol. Families aspired to own one and felt they had ‘arrived’ when the car did, however shabby or humble it might be.
Our next-door neighbours, Harry and Eileen Daff, were the first in our street to bring home a car. Theirs was a forties Morris with running boards which looked as if it belonged on a film set, but that made it yet more glamorous in the eyes of the local children. The Daffs went out for Sunday afternoon rides in their car. Mrs Daff – ‘Auntie Eileen’ – was always promising to take me, too, but the invitation never materialised.
My father acquired our first car about three years afterwards, when I was nine. It was a two-door Ford Popular which we nicknamed ‘Hetty’. I can remember the registration number: it was HDO 734. Hetty, like the Daffs’ Morris, was not only second-hand but practically vintage. My father had saved hard to afford her and had still needed a loan from my miserly – but loaded – Great Uncle David to complete the purchase.
Great Uncle David lived – indeed, spent his every waking moment – working in the convenience shop in Westlode Street which he had inherited from his parents despite being their youngest son, presumably because he had scoliosis and was considered ‘delicate’. My paternal grandmother kept house for him. They were only a short bike ride away.
My mother’s mother, however, was the paid companion of a very old lady and lived in Sutterton, nine miles distant, which meant that in pre-Hetty days visits had to be accomplished by bus. It was usually she who visited us, invariably spending the morning of her day off shopping in Spalding and then walking to ours for lunch. Post-Hetty, we were able to make more frequent visits to Sutterton. However, I was still sometimes allowed to travel there alone on the bus. It was nearly always on a damp, foggy day when the sun never broke through the Fenland mists.
The house she lived in was the house I have called Sausage Hall in The Sandringham Mystery. It was a big, gloomy red-brick house in considerable need of repair. Sometimes she occupied the breakfast room when she had visitors, but her natural habitat was the kitchen with its adjoining scullery, in both of which roaring fires were kept burning night and day throughout the winter months. The kitchen fire had a built-in oven in which she would bake perfect cakes. Lunch would be tinned tomato soup and bread, followed by a big hunk of cake. Cherry cake was my favourite.
Her employer’s name was Mrs James. My grandmother always referred to her as ‘the old girl’. Mrs James’s first name was Florence and she was one of a large family of sisters, the Hoyles, who had been brought up in Spalding in extreme poverty. One of the sisters still lived in what could only be described as a hovel in Water Lane and occasionally, after one of my visits to Sutterton, I would be sent round with cake or chicken. Miss Hoyle never invited me in. She would open the door a few inches, her sallow face and thin grey hair barely distinguishable from the shadows of the lightless cavern behind her, and reach out a scrawny hand to take what I had brought, barely muttering her thanks before she shut the door again.
My grandmother, also the eldest of a large family of sisters, despised the Hoyles. Mrs James was not exempt. My grandmother’s father had been a farm manager, employed by a local magnate. He was a respectable, hard-working man of some substance in the community, unlike the allegedly feckless Mr Hoyle. According to my grandmother, Florence had ensnared Mr James with her pretty face, but that did not excuse her humble beginnings.
Florence, long widowed, had taken to her bed, for no other apparent reason than that she was tired of the effort of getting up every day. My grandmother delivered all her meals to her bedroom and sometimes sat there with her. When I visited I was expected to call in to see her before my departure. I never knew what to say. She would extend a plump, soft white hand from beneath the bedclothes and offer it to me. I’d shake it solemnly. Once, when I’d been reading a Regency novel, I held it to my lips and kissed it. She was momentarily surprised – I saw the gleam of interest in her eyes before her spirit died again.
Mrs James’s sons, both middle-aged gentlemen farmers, also performed duty visits. My grandmother and I were expected to call them ‘Mr Gordon’ and ‘Mr Jack’. In The Sandringham Mystery, Kevan de Vries, head of the de Vries empire, has his staff call him ‘Mr Kevan’. I lifted the idea from my experience of the two James brothers. I was about nine when I met them and could identify condescension when I encountered it.
Hetty broadened our horizons immeasurably. Instead of going out for bike rides at weekends, we drove to local beauty spots – Bourne Woods, the river at Wansford, Barnack – and sometimes on nice days even further afield, to Hunstanton, Skegness and Sandringham.
Sandringham, the Queen’s Norfolk estate, consists of many acres of forest, most of which were already open to the public, though the house itself wasn’t. It was possible to visit the church. Both local people and visitors would wait outside the wall beyond the churchyard for glimpses of the royal family when they were in residence. I saw Princess Margaret once. She had the most astonishing violet-blue eyes.
I associate Sandringham particularly with the clear bright cold of Easter holidays and the drowsy late-summer warmth of blackberrying. The blackberries there were enormous and my brother and I would scratch the skin on our arms to ribbons trying to reach the best ones. Parts of the woods were deciduous, but the blackberries seemed to flourish in the areas where the pine trees grew, planted in squares and divided up by trails (‘rides’). When I was writing The Sandringham Mystery, I remembered vividly a clearing in the woods that had been made by the crossroads of two trails. In the novel, it is here that the body of a young girl is discovered, the start of a police investigation that not only reveals why she was murdered, but also uncovers some other terrible murders that took place in the past, in Sausage Hall itself. The Sandringham Mystery is published by Bloodhound Books today. I hope you will enjoy it.