A privilege, indeed, to fly with Kevin Taylor, Chief Pilot, Lincolnshire Police Drones
Kevin Taylor is the Chief Pilot of the Lincolnshire Police Remotely Piloted Air Systems (RPAS) Unit. He has worked as a Subject Matter Expert (SME) flight instructor/assessor, training staff at all levels, from beginners to advanced remote pilots. He specialises in the training of military and emergency services personnel. He has himself flown both manned and unmanned aircraft and is qualified to fly both aeroplanes and helicopters. He has put in more than 1500 flying hours in more than twenty aircraft types. He acts as test pilot for the British Microlight Aircraft Association (BMAA) and the Light Aircraft Association (LAA). This involves testing new lightly manned aircraft. Kevin himself owns a light sport aircraft and flies regularly.
Kev began his career as a radar engineer in the Royal Air Force, then joined the Special Constabulary in 2003. He serves as a Special Sergeant in the Lincolnshire Police RPAS Unit. He has overall responsibility for the safe delivery of RPAS operations, including all aspects of training and safety standards. He is experienced in all the operational areas of police RPASs and has carried out hundreds of live deployments in Search & Rescue, Chemical Biological Radiological Nuclear incidents and Offender and Event Crowd Dynamics. He is also experienced in Beyond Visual Line Of Sight flights. He has received multiple commendations for his operational RPAS flying. He has also worked with the UK defence industry to develop autonomous RPASs. He has pioneered police use of RPASs in relation to criminal activities.
I asked Kev to contribute to my series of blog posts to celebrate CRM because Lincolnshire Police have very kindly been following this blog for several years. They also helped to influence the plot for Chasing Hares.
Q: Do police drone pilots train from scratch or have they already been flying drones as a pastime?
A: In Lincolnshire Police, drone pilots are police constables who work mainly as responders and attend a vast array of incidents. If an incident can benefit from the use of a drone, a drone officer will be deployed to assist. A drone is just one of numerous tools available in a police officer’s kit bag and drone flying should be described as a skill, rather than a role. In some ways, it’s like carrying a taser: the training has some similarities. The initial training course consists of five days’ training followed by a practical test which the trainee must pass. Once an officer is trained, s/he must pass an annual requalification test. If prospective drone pilots are already interested in drones before they train, it is useful, but not essential.
Q: What, very briefly, is the history of police drone use in the county? How many officers are involved and how has this field of policing been expanded in Lincolnshire?
A: Lincolnshire Police started its drone journey in March 2017. The first operational flight took place in September of that year. On average there are now 350-400 deployments per year. The target is to have five officers at each of the four main bases: Lincoln, Boston, Grantham and Skegness. Currently there are twelve officers and six more in training.
Q: Would you explain the particular value of drones for police work in a place like Lincolnshire or, indeed, anywhere.
A: Lincolnshire has the perfect landscape for drones. In terms of geographic area the force is one of the largest in England and Wales, covering 2,284 square miles. The population of this area is 736,700. Policing such a large area presents challenges: Lincolnshire has vast areas of open countryside and, as such areas are difficult to search on foot, effective air support is vital. Drones can now play a pivotal role in addressing this challenge. The running cost of a drone is negligible when compared to the other options available, such as crewed helicopters. Drones are also used to manage large events such as Christmas markets and can assist with crowd dynamics, acting as an extension to the CCTV camera network.
Q: What incidents stick out in your mind as memorable examples of success? (Not just nabbing the villain, though that is very interesting, of course; perhaps the successful rescue of someone vulnerable or the way in which a traffic incident has been helped by drones.)
A: There have been many incidents that have resulted in a positive outcome for the whole team. We are not allowed to discuss one of the most unusual ones, owing to reporting restrictions, which is a real shame. All drone pilots will have a personal set of memories of occasions that got their adrenaline pumping; one of my own was using the drone to discover an unconscious male in a ditch following a road traffic collision. It was in early 2018; his was among the first lives to have been reported as saved by a police drone in the UK and this incident alone demonstrates that the investment in drones by Lincolnshire Police was worthwhile.
Q: What do you find particularly frustrating in your line of work?
A: When we first launched the drones initiative there was some scepticism. There was criticism that drones were just glorified toys. However, the clear and powerful images produced by the drones once they became operational soon converted the sceptics to supporters. There aren’t too many frustrations, but it may not be a surprise to hear that if I had better funding I could achieve so much more. That said, the Chief Officer Team has been very supportive of drones and can see they provide value for money. The results speak for themselves, although we can’t always put a financial value on all that we do.
Q: Do you read crime fiction? Would be your advice to a writer like me to up her game in presenting police work?
A: I’m always on the go, so sitting down and reading a book is something I don’t have much time for. I would say that policing is moving with the times and that technology plays a large part in the way criminals operate today, so the police need to use it, too, to keep up. I guess a crime writer would benefit from understanding the technology and tools at the disposal of a current, modern-day police force. Drones constitute just one small part of contemporary technology that benefits the police and public, not only in Lincolnshire, but worldwide. Besides operating drones, we play a considerable role in education and enforcement. Drones technology is constantly evolving and the regulations have also evolved quickly. Lincolnshire is a very RAF-centric county, with a busy airspace, and we contribute to the effort to ensure that all airspace users can share the airspace safely. In July, we’ll be inviting the public to the Lincolnshire Police HQ to learn more about how to fly drones safely and to understand a little more about how we use them.
All pictures © Kevin Taylor
A welcome from Stamford
Saturday was a clear, crisp, cold day after many days of rain and muggy warmth. It felt like a proper winter’s day, of the best possible kind!
Before it was quite light, I was heading for Stamford – one of my favourite places – for a signing session in Walkers Bookshop, at the heart of the town. First stop, however, was the George, Stamford’s splendid old coaching inn – for coffee and pastries in front of its roaring open fire!
I am very happy to be able to say that Walkers is an extremely successful bookshop. The period after Christmas is a notoriously slack time for bookselling – as for all types of retail activity – but on Saturday, Walkers was clearly thriving, with a constant flow of people, many of whom engaged me in conversation and not a few of whom bought Chasing Hares or one of the other Yates novels (In the Family and Sausage Hall seem to be the perennial favourites).
I was particularly smitten by the little girl who told me she wanted to be an author and an illustrator! And also delighted – and very honoured – that Rex Sly, whose books about the fen country I have long been consulting when carrying out my research, came in to meet me. We had a long conversation about writing. Himself a Lincolnshire farmer – he lives in the farmhouse in which he was born – Rex told me that at one stage his family’s problems with hare coursers had become so grave that they considered moving out and finding somewhere else to live.
Many thanks indeed to Jenny Pugh and all the staff at Walkers for arranging the session and making me as welcome as always – and for providing tea and other comforts!
After a quick lunch and a brief exploration of Stamford – it has an amazing ironmonger’s which always draws my husband like a magnet – it was on to the library, where Jane Barber, one of the librarians and an old school friend, had again used her fertile imagination to plan an event, this time a murder mystery event that she called ‘Tea and Murder’. She and her colleagues expended a great deal of energy and time on this and they – and I – were rewarded by its being a hugely successful event. They attracted a very large audience, some of whom I had already met last spring at the first DI Yates event in Stamford Library.
I talked about how I had come to write Chasing Hares – not forgetting to mention the large part played by my friends Madelaine, Marc, Anthony and Marcus and by South Lincs police, all of whom had a significant hand in creating the plot – and read aloud the first chapter. We then had a lively discussion about how to plan a murder. I said that although the characters in my novels are all (except one) fictional, or at most composites of several people I have known, the plots are often inspired by real-life crime. For example, the plot of Fair of Face draws heavily on the White House Farm murders (a version of which is now being televised) and Chasing Hares is in part the product of a great deal of research about hare coursing. We talked about the perfect crime being one which was never discovered – which doesn’t work in fiction, for obvious reasons – but how some novelists have got round this by allowing the murderer not to be caught (Patricia Highsmith, in the Ripley novels) or by using the device of the unreliable narrator (probably started by Agatha Christie, when she wrote The Murder of Roger Ackroyd). In my own Sausage Hall, Kevan de Vries appears to get away with murder – but watch this space! Kevan will return in my next book – to be called, simply, de Vries – and he may not be so lucky next time.
Then there were (delicious!) cakes and tea.
All this was a prelude to a murder mystery for which Jane had set the scene. She had even produced an actual body – the ‘body in the library’! The audience worked in groups, each group to decide who the victim was, who the murderer and what the motive. Each suggestion was more ingenious than the last: it was impossible to award a prize for the best one!
The whole evening was very light-hearted, relaxing and entertaining and the audience at Stamford has become one of my great favourites. I’d like to thank everyone who came to the event for turning out on a Saturday (and also a cold evening), some travelling from quite a long way away. And very sincere thanks to Jane Barber and her colleagues for all their hard work and for pulling off another triumphant event – Jane’s inspirational activity and her sensitive management of it were indeed wonderful to see. 😊
About ‘Chasing Hares’…
Yesterday it rained. And rained. And rained.
And it didn’t spoil a thing.
I was at three events in Spalding to celebrate the launch of Chasing Hares: a signing session at wonderful Bookmark, where all my novels have been launched, and where the hospitality from Sam and Sarah and their team was as warm as always;
a very special event hosted by Anthony and Marcus on the island where most of the novel is set;
and an evening talk and readings at Bookmark, attended by just as large an audience as usual despite their having had to turn out in grim weather.
Thank you, everyone! I both appreciated and enjoyed it all very much indeed.
And Chasing Hares? Well, it is unique among the DI Yates novels in that its two (related) plots were both suggested to me by other people. In the summer of 2018, my husband and I called in on our friends Madelaine and Marc. It was a hot, sunny day and their friends Anthony and Marcus, who own several boats, offered us a trip along the river Welland from the island house where they live. Anthony showed us round the house and made us coffee before we went. As we sat in the garden outside, I said I had almost finished writing Gentleman Jack and the conversation turned to what I should tackle in my next novel.
I can’t remember who suggested I should write about this island: it was Madelaine, Marc or Anthony, or a combination of all three. Marc, who’s a fount of knowledge when it comes to local history, said he’d heard there had been a row of small cottages on the island – hovels, really – and that a retired soldier had lived in one of them. Local people called him Soldier Bob. Anthony had heard this story, too. The soldier was half-crazed – we speculated that he might have been a WWI veteran suffering from shell-shock – and trigger-happy. He was also a recluse. He didn’t take kindly to having people disturb him. A man approached his cottage one day and Soldier Bob shot him dead. (Anthony’s version of this was embellished by the detail that the victim was the postman and Soldier Bob shot him through the letterbox.) Bob was arrested and tried for murder but acquitted – and presumably taken into care – on the grounds of insanity.
Listening to the tale of Soldier Bob, I could see that setting the next novel on the island offered great possibilities. I didn’t want to tell the tale of Bob, however – though it is mentioned in Chasing Hares – because for some time I’d been toying with the idea of writing a novel that drew inspiration from the Golden Age of crime fiction, but with a modern twist.
A popular device used by Golden Age crime writers is the country house crime story. It has a lot to recommend it: a group of people gather in a country house, usually secluded and some distance from civilisation; a murder is committed; one of the people present must have been the murderer; all turn out to have motives for killing the victim; and the reader is titillated along the way by accounts of gracious living, exquisite dresses, sumptuous picnics, fine dinners, afternoon tea, torrid love affairs – the lot.
I thought it would be interesting to create a modern-day version of such a gathering, spiced with a little bit of irony. I decided to update it further and, as a double irony, instead of depicting an upper-class social event, I made the reason for my gathering a crime mystery weekend. Instead of being presided over by a suave and cultured society hostess, the party in Chasing Hares is hosted by a perennially mean and crooked wheeler-dealer, Gordon Bemrose. Instead of representing high society, his guests hail from humbler – and in some cases, dodgier – walks of life, but, like their country house counterparts, they are all potential murderers. Finally, instead of being entertained by a chamber orchestra or string quartet, their entertainment is a play, a bowdlerised version of Arsenic and Old Lace, put on by the local amateur dramatic company but starring Gordon’s actor nephew, Anton Greenweal.
The second part of the plot was suggested to me by a policeman who has been following me on my blog for some time. He wrote to me to say that the biggest single problem rural police forces have to deal with, particularly in East Anglia and parts of Northern England, is hare coursing. I’ve since carried out quite a lot of research on this and it’s a truly horrific crime. It’s not just the hares that are hurt – they’re horribly mutilated by the dogs before they die – but also the dogs themselves: they’re often badly injured by running into each other or spraining or breaking their legs by trying to follow as the hare changes course rapidly in its attempt to escape. There’s nothing ironical or tongue-in-cheek about the hare-coursing passages – they’re deadly serious.
That’s all I’m going to say about Chasing Hares for now…